I translate concepts (complex, simple, and everything in between) into material realities. For 25 years, I’ve been the person people turn to when they’re trying to figure out how to bring ideas and visions into glass.

My practice spans a wide range of techniques, including free-hand and mold-blown glass, kiln-forming and kiln-casting, mold fabrication, lampworking, and working with neon and noble gases, along with extensive coldworking.

I collaborate with sculptors, artists, designers, architects, collectors, museums, galleries, and antique specialists to realize ambitious projects—whether that’s large-scale installations, custom architectural elements, distinctive lighting, or the restoration of historically significant glass.